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“7 Deadly Sins” QPAC 2015
24 August 2015
best price prilosec 1mg tablets - Patient Information Leaflet (PIL) by Merck Sharp & Dohme Limited In this scene, May seems to represent Love, rather than the coldly seductive Lust she portrays earlier with awe-inspiring grace and control. In her gold costume, she looks like a princess from some ancient world.
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Reviewed by Denise Richardson, QPAC August 2015
25 August 2015
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Drug information on allegra tablets 120 mg (haloperidol), includes drug pictures, side effects, drug interactions, directions for use, symptoms of overdose, and what to avoid. En Solitaire is a creative work that has been created in response to a film that is considered by many to be a masterpiece of early experimental animation. Pas de Deux created in 1968 by Canadian filmmaker Norman McLaren is a technically complex, yet visually powerful exploration of time and movement. This film encapsulates the driving concerns McLaren’s animation practice, his vast body of work results from a prolific career (spanning nearly 40 years and more than 30 films) as an innovative experimental filmmaker. His methodologies and outcomes not only shaped the world of experimental film and animation but spoke to his audiences on a deep level. (Collins,1976). Pas de Deux (meaning “dance for two” or “duet”) featuring multilayered, shimmering visual representations of two dancers in a … Read More »
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- Dance and animation shared languages and collaborative framework
- The body as site of narrative potential
- How cinematic/digital media handling techniques can be translated and transposed onto the body
- Performative authenticity and clarity of visual communication
- Using spatial, site-specific, digital and filmic techniques to inform the choreographic process
ranitidine pediatric dose mg/kg Current perceptions and generalised observations from within the art form suggest that a dance work is a singular creative entity, product or source of creative output. It may be possible to expand this perception and suggest rather, that dance works can exist in a multiple of forms, across a variety of platforms, each bringing new facets of the work to light, both expanding the possibilities and contextual nuances of a work.
To view the overarching context of this research, here is a quick snapshot of the many roles of which I have developed throughout my career as a dance artist:
Dancer / Performer / Soloist
Choreographer / Collaborator
Video Artist / Documenter
Designer / Conceptualiser
Writer / Researcher
My research will be informed by a practice-led enquiry, open to interdisciplinary exchange, drawing on reflective observation and practical investigations in the form of installations, collaborations, screen dance and live performance works.
As a dance practitioner, making a living depends on creative “product” being generated often at the expense of a fully realised creative process. The pressures of the industry including time restraints and funding etc… often necessitate a streamlined approach to the creation of work. One of my research objectives is to lead an investigation which process driven, an opportunity to invite reflection analysis and … Read More »
I am also interested in methods of creation and documentation such as “re-working”, working with a series based approach, or “re-versioning”, a term used to describe a process whereby digital information may be copied from one platform to another without corrupting the original coded content. (Howkins, John (2001) The Creative Economy). These models invite interdisciplinary and collaborative approaches to dance-based work, but also focus on the empowerment of the artist or creative practitioner, whereby a choreographer can ‘up- skill’ and diversify their knowledge base in areas where dance & movement knowledge is transferable and is an asset, and can be used to develop an interdisciplinary vocabulary and expand the possible audiences, networks and contexts for their work.
The Authenticity Question
I have long felt that there is an element within the contemporary dance form, of the self-indugent. In a reaction against … Read More »
Review – Natalie Weir’s Carmen Sweet
Review by Xanthe Crowd – XS Entertainment
“Carmen Sweet” QPAC 2013
1 November 2013
“Elise May is the Cate Blanchett of Australia’s contemporary dance scene”.
“…Elise May is something else, drawing all eyes, regardless of what else is happening on stage and even when she is completely still. She is simply incredible to watch…”
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