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Nomination (Shortlisted) for a Helpmann Award – Best Female Dancer in a Ballet, Dance or Physical Theatre Production – “Behind Closed Doors”

Dancer – EDC; Converge, International Collaboration “4Seasons” City Contemporary Dance Company (CCDC) Hong Kong, Darwin and Beijing. Natalie Weir’s “Everyday Requiem”.

Teacher – Invited to teach alongside guests from 16 Counties at the Beijing International Dance Camp prior to EDC’s participation in the Beijing Dance Festival.

Level 1 Yoga Teacher Training Qualification (12 months) at Core Yoga, Brisbane

Teacher – Dance for Parkinson’s Australia – Dance Classes for participants with Parkinson’s Disease (Program sponsored by the Queensland Ballet).

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Choreographed “Written on the Body” a short work for EDC’s “Propel” program.

Choreographer “Mozart Airborne” – choreographed and performed a solo to Don Giovanni’s “Mi tradì quell’alma ingrata”collaborating with singer Hailey Sugars, and A trio for three dancers; Benjamin Chapman, Richard Causer and Jake McLarnon choreographed to Così Fan Tutte’s “Secondate, aurette amiche” collaborating with singers Samuel Piper and Dominic J. Walsh.

Choreographer – “Aida On The Beach” for Opera Australia. Choreography for 10 dancers (six EDC dancers and four guest artists) on Coolangatta Beach

Choreographer – A work for independent Chinese dancers for Guangdong Modern Dance Company’s “Dance With Me” program in the 2017 Gunagdong Modern Dance Festival

Dancer – EDC;Propel”, “Mozart Airborne”, “Behind Closed Doors” and “Everyday Requiem” Creative Development period.

Teacher – Dance for Parkinson’s Australia – Dance Classes for participants with Parkinson’s Disease (Program sponsored by the Queensland Ballet).

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Appointed “Assistant to the Artistic Director” Natalie Weir at EDC

Remounted Shifting Lenses for Create-X “Where Creativity Meets Technology” community performance event at the opening of the new Creative Industries Precinct Building Z9 in 2016.

Completed teacher training in April 2016 for Dance For Parkinson’s Disease Program, Australia.

Dancer – EDC;Black” International Collaboration Brisbane Season with Guangdong Modern Dance Company, “When Time Stops”, International Tour GMDC (4 cities in Guangdong Province, China).

Choreographer and director of “Lumen Body” a striking interaction with animated visual forms, electronic sound and live vocal performance for Brisbane City Council’s Laneway series.

Completed Master of Arts – Research at Queensland University of Technology.

Named in industry publication: Dance Australia Magazine’s Annual Dance Critic’s Survey as ‘Most Outstanding Dancer’ – Queensland Feb/March Edition 2017 (for her role in ‘When Time Stops’ 2016).

Travelled to China in advance of the International Tour with GMDC to present workshops in Guangzhou, China for independent artists, general public, High School students, Children with disabilities and company classes for Guangdong Modern Dance Company.

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Dancer – EDC;The Host”, “7 Deadly Sins”, National Tour “Carmen Sweet” (NSW, VIC & SA) International Collaboration (Development period for “Black” with Guangdong Modern Dance Company in Guangzhou, China)

Nomination (Shortlisted) for a Helpmann Award – Best Female Dancer in a Ballet, Dance or Physical Theatre Production – “The Red Shoes”

Created and performed “Shifting Lenses” the creative outcome of my Master of Arts – Research, a performance installation investigating investigation of interdisciplinary approaches with the use of moving image and digital media in live performance at Queensland University of Technology.

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Dancer – EDC;  “Carmen Sweet” and “R & J” for APAM in Brisbane, “Solo Festival of Dance”,  Natalie Weir’s The Red Shoes”,The Perfect American”, with Opera Queensland. Toured EDC’s “Carmen Sweet” Regional Queensland tour.

Choreographer of a solo work of EDC’s Solo Festival of Dance titled ‘The Man of Many Talents’ for Benjamin Chapman.

Master of Arts – Research at Queensland University of Technology (Part Time).

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Propel”, “R & J” National Tour, “When Time Stops”, Singapore Dance Theatre – “Ballet Under the Stars”, “Carmen Sweet” Cremorne QPAC

Named in industry publication: Dance Australia Magazine’s Annual Dance Critic’s Survey as ‘Most Outstanding Dancer’ – Queensland Feb/March Edition 2014 (for her role in “Carmen Sweet” in 2013).

Master of Arts – Research at Queensland University of Technology (Part Time).

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Received an Australian Dance Award for ‘Outstanding Performance by a Female Dancer’ for her performance of Juliet in Act III of Natalie Weir’s R & J”.

Commenced a Master of Arts – Research at Queensland University of Technology (Part Time).

Dancer – EDC; “R & J” (South Australian Tour), “Where The Heart Is” (QPAC) “Dance Energy”, a Collaboration with Queensland Ballet for the 2012 Brisbane Festival and Carmen” with the Queensland Symphony Orchestra (QPAC).

Named in industry publication: Dance Australia Magazine’s Annual Dance Critic’s Survey as ‘Most Outstanding Dancer’ – Queensland Feb/March Edition 2013 (for her role in “When Time Stops” in 2012).

Co-choreographed a work ‘Memorandum’ for ‘Dance 2012′ the Queensland University of Technology Dance Graduation season at the Garden’s Point Theatre in Brisbane.

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Workshop facilitator: Creative development workshop investigating the body, the camera and perspective. A workshop that aims to help dance artists frame, conceptualise and create video content for their dance work.

“In between spaces” live solo performance and choreographic collaboration with Shaaron Boughen – presented as part of the QUT Dance Graduation Performance Season & shared program with Expressions Dance Company.

Nominated for an Australian Dance Award In the ‘Outstanding Performance by a Female Dancer’ Category for “Where the Heart Is” EDC, 2010.

Dancer – EDC; “R & J”, “Solo” and “First Ritual” Seasons. Toured with EDC to Korea (Pusan International Dance Festival) and Switzerland for “Scripsi Scriptum”, a collaboration with Basel’s Cathy Sharpe Dance Ensemble.

Choreographed a solo “The Woman With Two Smiles” for Samantha Mitchell in EDC’s “Solo Festival” May 2011

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Named in industry publication: Dance Australia Magazine’s Annual Dance Critic’s Survey as ‘Most Outstanding Dancer’ – “Where the Heart Is” Queensland Feb/March Edition 2010 & 2011

4 week cultural collaboration/ exchange project in China with ‘Beijing Dance – LDTX’ Company and Expressions Dance Company on a new work “First Ritual” by Natalie Weir and Willy Tsao.

“Where the Heart Is” QPAC and “While Others Sleep” Judith Wright Centre Seasons – Expressions Dance Company

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Brisbane Front Residency – “Elise May’s Screen Dance Laboratory” Judith Wright Centre Shopfront, a project supported by Ausdance Qld, The Judith Wright Centre & Brisbane City Council.

Pusan International Dance Festival Korea – Expressions Dance Company. Performer in triple bill “The Dance Maker’s” Season in Brisbane & Regional Queensland 2009

Presented “Close Proximity” solo performance installation in the Brisbane Festival 09 Under the Radar Program

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Commissioned to choreograph a new work, “End Up”, for Expressions Dance Company’s ‘Core Borders’ program

Joined Expressions as a dancer in April 2008. Performed Maggi Sietsma’s “On Thin Ice” – Guandong Modern Dance Festival – China and performed Maggi Sietsma’s “Score!” in New York. – Brooklyn Acadamy of Arts Theatre

Travelled to US, Norway and Sweden to participate in dance workshops and observe works in progress.

Participated in the Young Artist Mentorship Program run by Youth Arts Queensland. This allowed Elise to work with mentor Mariana Verdaasdonk. The beginnings of concepts (which later developed into Close Proximity) were explored and tested during the mentorship.

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Appointed Membership Services Officer, Australian Dance Council – Ausdance Queensland.  Ausdance is Queensland’s state advisory body for dance. Duties involved arts administration, arts research, programing, and small events management, developing information packages for independent dancers, compiling educational resources and box office/ ticketing.

Presented a choreographic workshop presentation at the World Dance Alliance Asia Pacific Bridge Conference in Singapore 2007

Collaborated with Russell Miledge & Rebecca Youdell (Bonemap) & Lawrence English (composer) in their production “TiLT” as part of the On Edge Contemporary Media and Performance Festival.

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Recipient of the 2006 ‘Take Your Partner’ Australia Council grant for a supported mentorship period with Wendy Morrow and creative development of a new solo performance installation work – “Dare you Look” September/ October 2006.

Completed a Certificate IV in Small Business Management (BSB40401) Sarina Russo Institute. Units of study included; Researching business opportunities, establishing business and legal requirements, financial planning, promotion, business planning, analysis and presentation of research, coordination of business resources, reporting financial activity, profiling the market and analysis of customer behaviour for specific markets.

Set up a small business providing expert dance tuition, performing arts related video and sound editing services and small bespoke performance products for corporate and commercial clients in Brisbane. This provided extra income streams whilst working independently as a freelance dancer and choreographer.

Performer/ costume designer – “Accented Body” Dr Cheryl Stock’s 2006 Brisbane Festival Project. The work was an intercultural, interdisciplinary, site-specific project involving teams of contemporary Australian, Japanese, Korean, Singaporean, Taiwanese and UK artists exploring cultural
and artistic collaborations and new media at the Creative Industries Precinct, Kelvin Grove. Performer/ collaborator in “The Living Lens” immersive performance installation devised by a team of Australian, Taiwanese and Japanese artists, led by QUT PhD researcher Mariana Verdaasdonk and Dr Cheryl Stock.

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Represented Australia as one of three international choreographers in the Asian Young Choreographer’s Project in Kaohsiung city, Taiwan July/ August 2005. Coordinated by the Jih Sun Foundation for Education and The World Dance Alliance – Asia Pacific

Performer & collaborator in “Churchill’s Black Dog” a work by Clare Dyson, at the Judith Wright Centre for Contemporary Arts Brisbane in April, and the ANU Arts Centre in Canberra in September 2005.

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Commissioned to create a work “Knee Deep in Sunshine” for the Queensland University of Technology’s first year students in their undergraduate performance season, ‘Dance Bytes’ at the Gardens Theatre, Brisbane, June 2004.

Performer – “Dispatch” a multi‐media/ new media dance production by directors Chrissie Parrot (choreographer) and Jonathon Mustard (composer) ‘the Loft’, Brisbane and the ‘Breadbox’ theatre, Perth. The show used color tracking and video technologies to inform movement/performer interaction with sound composition in performance.

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Expressions Dance Company – Under Artistic Directorship of Maggie Sietsma worked with the company as an understudy for their production of “Richard III”.

Expressions Dance in Education program – toured “Chance the Dance” and “Lines in the Sand” programs in High Schools and Primary Schools throughout regional Queensland.

Choreographed two contemporary dance pieces “Elegance Thy Name…” and “Real Life Situation Failure” for the ‘Critical Mass’ independent choreographer’s seasons at the Brisbane Powerhouse in February and October 2003

Performed with RAWcollective in their work “Submerged” at the North Melbourne Town Hall as part of the Melbourne Fringe Festival

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Graduated from QUT Bachelor of Fine Arts – Dance

Invited to perform “Swanstyles.mpeg” a self devised/multimedia solo as part of Linkx WAAPA Graduate Dance Company’s showcase season at Dancehouse, Melbourne in December 2002.

Performer/ costume designer “Ada” in a six week interdisciplinary residency project at the Choreographic Centre, ACT, as part of a New Media/ Choreographic Fellowship by Sarah Neville. Collaborated with a hardware electronics designer, musician, sound engineer, actor and choreographer/ theatre director.